There are two driving forces in my artistic practice.
One is an almost obsessive fascination with materials and their capacity to change. I am constantly searching for new agents for my work, experimenting with substances that grow, stretch, shrink, react, decay or resist control. I want to discover what materials are capable of when I allow them to follow their own logic.

The other is the human being: the body, the psyche, our vulnerabilities, memories and inner experiences. I am interested in what lies beneath the surface, what gets under our skin, and what remains hidden even when another layer is revealed.

These two strands come together in my installations. Through material, form and atmosphere, I create multisensory spaces in which people can encounter one another and perhaps recognise something of themselves. I believe in the healing potential of art—not as a cure, but as a possibility for connection, self-recognition and transformation. I am fascinated by the power of ritual and the transformative processes within trauma. I allow these almost spiritual dimensions to become part of my installations.

My background in science and medicine, my work as a psychotherapist and my experience in the visual arts all shape this process. I do not see these fields as separate or competing. Each is necessary, each influences and enriches the others. The same is true of collective work and the encounters that emerge through it.

It is precisely through this interplay that my work gains its complexity and richness. I do not want to exclude any of these influences. I need all of them to create the work I want to make.